This does mean locking off some controls or reducing their accuracy to a fixed set of values, but this actually lends purpose to each setting and enhances workflow by making sure you don’t fret over the exact details if they don’t matter.īecause of this, it is best to think of PTEqx as a tone shaper rather than as a problem solver. Like SlickEQ, different tube models are available and their effect on their sound is subtle but more pronounced with softer sounds as the extra harmonics are more clearly heard.ĮQ is all about tone and Ignite Amps have taken great care to ensure that everything here shapes it in a pleasing, musical manner. If you really don’t, you get both high and low pass filters on the output to limit the overall range of frequencies. PTEqx excels at shaping the mid-tone in particular and most controls are geared towards this range, but it absolutely can add beef in the low end or air in the top if you need it. If you’re no stranger to chasing classic studio tones, Ignite Amps have provided this generous free EQ modeled on a famous suite of hardware equalizers. If you’re a real big fan of what this plugin does, you might also want to check out the premium “gentleman’s edition” that adds a Japanese EQ model, several extra distortion types and other goodies like automatic tone matching. Those that need a quick tone-shaper with handy presets and a fresh look will find SlickEQ gets the job done with little fuss.
Unfortunately, automation of the controls seems to be a no-go – presumably, the plugin has to do too much number-crunching every time a setting is changed and this results in clicks in the sound. Once again, subtlety is the key here and it’s difficult to hear much distortion even when playing with the ‘calibration’ control, though there certainly is a character that stock parametric EQs lack.Īnother handy feature is the automatic volume leveling to ensure that the audio coming out of the plugin is the same volume as what goes in, avoiding careless mixing mistakes where the louder signal is perceived as being better.
Saturation shaping can be found in the ‘output stage’ section, offering 4 different models (‘silky’, ‘mellow’, ‘deep’ and ‘funky’).
If you’re really struggling to hear it, first check that the ‘EQ Sat’ button is pushed in – it’s off by default and you’d be forgiven for thinking it’s merely a label. Subtle touches of saturation are applied designed for gentle harmonic enhancement rather than extreme heat. The four models (American, British, German and Soviet) change how the EQ plugin controls respond rather than the actual sound itself, and the manual includes helpful charts for those that want to nerd-out over the specifics. The first plugin to be tested is the very fine and professional looking TDR VOS SlickEQ, a free EQ that boasts a range of tone-shaping possibilities with a variety of EQ and saturation models.
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